Peer-Reviewed Articles
[with Elyse Ridder] “Pirating Pinafore: Sousa’s 1879 Orchestration” in Notes vol. 78 (2022), pp. 501-17. [pdf]
“Armchair Philology for the Post-Truth Age,” in Journal of Music History Pedagogy 9/1 (2019), pp. 99-112. [pdf]
“Sullivan’s verse-ensemble forms,” in SullivanPerspectiven III, ed. Antje Tumat, Meinhard Saremba and Benedict Taylor (Essen: Oldib, 2017), pp. 179–91. [pdf]
“Jolly Jack Tar: musical caricature and characterisation of the British sailor, c. 1875–1925” in The Sea in the British Musical Imagination, ed. Eric Saylor and Christopher Scheer (Woodbridge: Boydell & Brewer, 2015), pp. 105–125. [pdf]
“Structures and Textures in Savoy Recitative,” in SullivanPerspectiven II, ed. Albert Gier, Meinhard Saremba and Benedict Taylor (Essen: Oldib, 2014), 89–111. [pdf]
“Recitative in the Savoy Operas,” Musical Quarterly 95/4 (Winter 2012), pp. 549–612. [pdf]
“Sullivan, Victoria & Merrie England, and the National Tableau,” in SullivanPerspectiven, ed. Albert Gier, Meinhard Saremba and Benedict Taylor (Essen: Oldib, 2012), pp. 263–81. [pdf]
“Music and Drama in Sullivan’s Works” in SullivanPerspektiven, ed. Albert Gier, Meinhard Saremba, and Benedict Taylor (Essen: Oldib, 2012), 163–181. [pdf]
“William Walton’s film scores: new evidence in the autograph manuscripts,” in Notes, vol. 68 (2011), pp. 9–32. [pdf]
“Sullivan, der Musikdramatiker,” in Musik-Konzepte 151 (2011), pp. 69–84. [pdf]
“Musical contexts: motives and methods in Sullivan’s allusions,” in The Cambridge Companion to Gilbert & Sullivan, ed. Meinhard Saremba and David Eden (Cambridge University Press, 2009), pp. 122–35.
Music Editions
[co-edited with Edison Kang]: Charles Villiers Stanford: Orchestral Song Cycles. Recent Researches in Music of the Nineteenth and Early Twentieth Centuries 73. (A-R Editions, 2019).
William Walton Edition, vol. XXII: Film Suites (Oxford University Press, 2010).
William Walton Edition, vol. XV: Orchestral Works I (Oxford University Press, 2007).
Reviews
Paul Seeley: D’Oyly Carte: the Decline and Fall of an Opera Company in Music & Letters, vol. 104 no. 1 (Feb. 2023), pp. 157–59.
Review of Ian Bradley: Arthur Sullivan: A Life of Divine Emollient in Music & Letters, vol. 103 no. 4 (Nov. 2022), pp. 767–68.
Paul Seeley: Richard D’Oyly Carte in Music & Letters vol. 101 no. 4 (Nov. 2020), pp. 790-92. [pdf]
Anastasia Belina and Derek B. Scott: The Cambridge Companion to Operetta in Music & Letters vol 101 no. 2 (May 2020), p. 372-74. [pdf]
Camille Saint-Saëns: 3e Symphonie en ut mineur (ed. Michael Stegemann) and Poèmes symphoniques (ed. Hugh Macdonald) in Notes, vol. 77 (2020), pp. 319-23. [pdf]
Deborah Heckert: Composing History: National Identities and the English Masque Revival, 1860-1920, in Music & Letters, vol. 100 no. 1 (February 2019), pp. 154-56. [pdf]
Gilbert & Sullivan: Iolanthe (ed. Gerald Hendrie et al.) and The Yeomen of the Guard (ed. Colin Jagger) in Notes, vol. 75 (2018), pp. 334–42. [pdf]
Michael Goron: Gilbert and Sullivan’s Respectable Capers in NABMSA Reviews, vol. 4 no. 1 (Spring 2017), pp. 6–7. [pdf]
Christopher O’Brien, ed: Savoy Curtain-Raisers (Musica Britannica vol. 99) in Notes, vol. 73 (2016), pp. 345–49. [pdf]
Ralph Vaughan Williams: Bucolic Suite and Serenade in A Minor (ed. Julian Rushton); Burley Heath, The Solent, and Harnham Down (ed. James Francis Brown); and Fantasia for Piano and Orchestra (ed. Graham Parlett) in Notes, vol. 71 (2015), pp. 573–77. [pdf]
Peter Ward Jones, ed.: Butterworth: Orchestral Works (Musica Britannica vol. 92) in Notes, vol. 70 (2014), pp. 745–48. [pdf]
Byron Adams, ed.: Edward Elgar and His World in Notes, vol. 64 (2008), pp. 738–40. [pdf]
Jeremy Dibble: John Stainer: A life in music in Notes, vol. 64 (2008), pp. 507–09. [pdf]
Other publications
Blog, Settling Scores: thinking aloud about musical text (2016-present)
“Retrospect Opera: Reviving a Forgotten Mainstream,” Nineteenth-Century Music Review 19 (2022), pp. 111-18. [
Contributions to The William Walton Reader: the genesis, performance, and publication of his works, ed. David Lloyd-Jones (Oxford University Press, 2018), pp. 181-89 and 271-82.
“Amateur Orchestra vs. Professional Singer: a footnote in the history of musical pitch,” in Newsletter of the American Musical Instrument Society 45/2 (Fall 2016), pp. 14–16. [pdf]
“Britten, Bach, and the Passion,” Musical Times (December 2015), pp. 31–42. [pdf]; reprinted in The Choral Scholar (Spring 2020), pp. 47-58. [link]
Introduction to William Walton: A Catalogue of Works, 3rd ed., by Stewart R. Craggs (Oxford University Press, 2014), pp. vii–viii. [pdf]
“Beyond Intro: further roles for music in the Liberal Arts core,” College Music Symposium 52 (2013), online at symposium.music.org. [html full-text link]
See also Conference Talks
